Upper Mall, Hammersmith: Kelmscott Press, 1893. First edition. Hardcover. 68 pages. 16mo, printed in red and black. The first Kelmscott production in this format. FORMAN 146."The book was done up in blue-gray and in Turner-grey boards, with linen backs, and the title printed on the front cover. There were three..... More
Upper Mall, Hammersmith: Kelmscott Press, 1892 (issued 1893). leather_bound. 305 pages. 21 x 14.5 cm. Limited edition, one of 300 from an edition of 310 copies. printed in Golden type in black and red. Woodcut frontispiece of Kelmscott House by C.M. Gere, facing page within a woodcut border, numerous 10-line..... More
Upper Mall, Hammersmith: Kelmscott Press, 1894. Hardcover. 67 pages. 14.5 x 11 cm, printed in Chaucer type, in black and red, and is uniform in size with the romances from the French. Limited edition, one of 500 copies. FORMAN 151. "Uniform with "King Florus," it has the same borders to..... More
Upper Mall, Hammersmith: Kelmscott Press, 1891. leather_bound. [iv] 197 pages. 21 x 15 cm. Limited edition, one of 300 (13 copies printed on vellum). Golden type printed in black and red, one full-page woodcut border, six- and ten-line initials. The second publication of the press and the first to be..... More
Upper Mall, Hammersmith: Kelmscott Press, 1897. Burne-Jones, Edward. Hardcover. 41 pages. 21 x 14.5 cm. Frontispiece, a woodcut designed by Sir Edward Burne-Jones. Uniform with Sire Degravaunt, from the same source: an ancient metrical romance, reprinted from the Thornton MS, in the library of Lincoln Cathedral is printed in Chaucer..... More
Upper Mall, Hammersmith: Kelmscott Press, 1893. Hardcover. 96 pages. 15 x 10.5 cm. Limited edition, one of 350. Printed in red and black. Illustrated with ornamental woodcut borders and initials. There were also 15 copies on vellum. One of four small publications by Morris translated from "Nouvelles Francoises en prose..... More
Upper Mall, Hammersmith: Kelmscott Press, 1894. Hardcover. 130 pages. 14.5 x 11 cm. Limited edition, one of 525 copies. printed in Chaucer type in black and red with wood-cut title page, borders and initials, the woodcut designed by Edward Burne Jones. A medieval French tale translated by Morris. PETERSON A26..... More