New York: Maecenas Press - Random House, 1969. Dali, Salvador. Hardcover. 151 pages. Folio, 44 x 29 cm. Limited edition, copy 2430 of 2500 signed by Dali on title, and one original colored etching by Dali signed in pencil is opposite the frontispiece. Printed on Mandeure paper by Ateliers Rigal..... More
New York: Harcourt Brace and Company, 1980. First American edition. Hardcover. Introductory text not paginated (seven leaves). 37 x 27 cm. Twenty four full page original color lithographs, plus 96 plates in black and white. Chagall's biblically theme drawings first reproduced in Verve 33/34 and the second suite Verve 37/38..... More
Rome: Editions Graphis Arte, 1990. First edition. Hardcover. 364 pages. 29.5 x 24.5 cm. Limited edition, copy 657 of 2000. Text in French by Christian Parisot, Jeanne Modigliani & Fulvio Venturi. Profusely illustrated in color and black and white on high quality glossy stock. Bibliographie. Catalogue Raisonne. More
New York: Architectural Book Publishing Co., Inc, 1927. First edition. Hardcover. Folio, 50 x 37 cm. The complete set. Two title pages and 140 full page plates of measured drawings and half tones. Buildings by York & Sawyer, A. L. Harmon, Raymond Hood (American Radiator Bldg.); Alfred Kahn (Ford Engineering..... More
New York: Horizon, 1963. Hardcover. Elephant folio, 30 pages in text, 100 mounted plates printed on heavy card stock. Foreword by William Wesley Peters. Limited edition copy 445E of 2600. 32 page booklet enclosed. Plates bright, clean and fresh. KARPEL B1332." A near but not exact facsimile of the Wasmuth..... More
New York: MOMA, 1971. First edition. Stiff Wraps. 108 pages. 27 x 22 cm. Contains a catalogue with 364 illustrations, twenty in color, and a catalogue raisonne of Gemini's complete production. Also included in the box is a 10 1/2 x 8 1/2" multiple by Jasper Johns. A two color..... More
Berlin: Paul Cassirer, 1922. First edition. Hardcover. 31.5 x 45 cm. Seven full page woodcuts. Barlach, an outstanding sculptor of the Expressionist movement whose style has often been called “modern Gothic.” Influenced early in his career by Jugendstil, Germany’s Art Nouveau style, he vacillated between pursuing sculpture and the decorative..... More
New York: Braziller, 1984. Miro, Joan. Reprint edition. Hardcover. 33 x 25.5 cm. Reprint of the Paul Eluard and Gerald Cramer original, copy 75 with numerous colored wood-cuts by Miro. 22 page in Introduction in separate stiff wrapper publication by Anne Hyde Greet laid-in. As new. More
London: D'Offay, 1981. First edition. Hardcover. 34 x 26 cm. 20 unnumbered pages. Signed by Clemente in pencil on the last color plate. This work is influenced by the traditional art and culture of India, a series of twenty-four gouaches on antique hand-made rag paper, is a collaboration between the..... More