Camille Pissarro
New York: Abrams, 1963. Pissarro,Camille. First edition. Hardcover. 158 pges. 122 illustrations, including forty-eight tipped-in color plates. Select Bibliography. More
New York: Abrams, 1963. Pissarro,Camille. First edition. Hardcover. 158 pges. 122 illustrations, including forty-eight tipped-in color plates. Select Bibliography. More
London: James Carpenter, 1842. First edition. Hardcover. 279 pages. 4to, eleven full-page plates plus title in sepia and black and white. Fifteen discourses in total. On July 13, 1789 Reynolds' eyesight suddenly failed, and from that time on he practically ceased painting, but continued his interest in the Royal Academy..... More
NY: MOMA, 1942. Rousseau, Henri. First edition. Hardcover. 80 pages. 26 x 19 cm. Illustrated in color and black white. Owner inscription. More
Monte-Carlo: Andre Sauret, 1952. Bonnard, Pierre. First edition. Stiff Wraps. 183 pages.31 x 24.5 cm. 98 facsimile colour and monochrome lithographs printed by Mourlot. Text in French. "An adventurous, and influential lithographer working largely in color. THE ARTIST AND THE BOOK. p.24. One of the Nabis. Clean, bright copy. More
New York: Charles Scribner's Sons, 1929. Hooker, Philip. First edition. Hardcover. 242 pages. 30.5 x 24 cm. 100 illustrations. List of Drawings by Hooker and of Engravings Made From His Drawings. Bibliography. Limited edition, copy 653 of 750. KARPEL B1107. "Philip Hooker (1766-1836) was an important Greek Revival architect.....According to..... More
Paris: NRF [Nouvelle Revue Francaise], 1931. Rouault, Georges. First edition. Stiff Wraps. 61 pages. 28.5 x 19.5 cm. Limited edition, copy 99 of 180 (from a total edition of 216) on velin d'Arches. Frontispiece, a black and white lithograph is signed by Rouault at lower right. In addition there are..... More
New York: Cythera Press, 1969. Rowlandson, Thomas. First edition. Hardcover. 39 pages in text. 31 x 24 cm. Introduction by Gert Schiff. 50 color plates. The erotic drawings, some of which were done for the Prince Regent bears witness to Rowlandson's temperament and the temper of the times. More
NY: MOMA, 1973. Miro, Joan. First edition. Paperback. 140 pages. 9 x 8 1/2". 64 illustrations, 22 in color, and 71 reference entries. More
London: Phaidon, 1958. Tura, Cosimo. First edition. Hardcover. 184 pages. Folio, 104 plates, six in color. Index of Places. This catalogue comprises all the works of Tura which have been preserved, together with the lost works ascribed to him. FREITAG 9608. LUCAS p.197. More
Munchen: Delphin-Verlag, 1914. Daumier, Honore. First edition. Hardcover. 200 pages. 30 x 22 cm, 905 entries, 150 black and white reproductions of Daumier wood-cuts. Catalogue Raisonne of Daumier's wood engravings. FREITAG 2094. Clean copy, backstrip chipped head and foot, minor extremity rubbing, Daumier monogram in gilt frontcover, all edges green..... More
Paris: Braun & Cie, 1946. Picasso, Pablo. First edition. Hardcover. Unpaginaged. 27 x 21 cm. 24 full-page color plates. Text in French. Bright, fresh copy, crease to first free endpaper. More
Barcelona: Sala Gaspar, 1980. Picasso, Pablo. First edition. Stiff Wraps. 4 pages in text. 23.5 x 19 cm. 30 plates, two in color with Index presenting size and date of each. Plates printed recto only. Text in Spanish. More
London: John & Edward Bumpus, Ltd., 1911. Gravelot. First edition. Hardcover. 83 pages text. 23 x 15 cm. 21 black and white plates. A French engraver, illustrator and designer whom GORDON RAY 22A, praises him for his tailpieces, allegorical frames as well as discussing other characteristics of his work. Includes..... More
Zurich: Flamberg, 1964. Munch,Edvard. Second edition. Hardcover. 340 pages. Approximately 240 plates with a host of tipped-in color reproductions. Text in German. Bibliography. FREITAG 6894. More
New York: Praeger, 1956. Marsh, Reginald. First edition. Hardcover. 62 pages. 24 x 16 cm. Limited edition, one of 100. etching 18 0f 100. woman with an umbrella signed by Felicia Meyer (Mrs. Marsh), an artist in her own right -- she exhibited at the Pennsylvania Academy, Corcoran Gallery and..... More
Stuttgart: Verlage Gerd Hatje, 1990. First edition. Boards. 124 pages. 9 1/2 x 7 1/2". Abundantly illustrated in color and black and white, many color plates are fold-outs. Signed presentation copy: Scharein to John Pope-Hennessy dated 1991. Text in German and English. More
Dresden: Verlag Ernst Arnold, 1923. Munch, Edvard. First edition. Hardcover. 22 pages text. 25 x 17.5 cm. Illustrated with 92 black and white plates. Text in German. Fresh and clean internally. Backstrip extremities rubbed. FREITAG 6895. More
New York: Abrams, 2002. First edition. Boards. 160 pages. Folio, 30 x 25 cm. 135 illustrations, including 125 plates in color. Chronology. Index. More
London: Thames & Hudson, 1969. La Fresnaye, Roger de. 1st English edition. Hardcover. 284 pages. Folio, 32 1/2 x 26 1/2 cm. 731 illustrations, thirty-two in color. Limited edition, copy A252 of 900. La Fresnaye joined the Cubist in about 1911. "Roger de La Fresnaye was the most considerable artist..... More
Hebron & Philadelphia: Feather and Good & American Philosophical Society, 1939-1947. Peale, Charles Wilson. First edition. Hardcover. 293 & 468 pages. 8vo, 23 x 16 cm. Twenty-six and forty-five illustrations, respectively. Index in each volume. Extensive bibliography Vol. II. In his early career Peale was a portrait painter, soldier and..... More
New York: Doubleday, 1965. Giacometti,Alberto. First edition. Hardcover. 119 pages. 10 x 7". 112 illustrations, 16 in color. More
New Haven: Yale Univ. Press, 1973. Quercia, Jacopo della. First edition. Hardcover. 146 pages in text. 134 black and white plates, 116 illustrations hors texte. Yale University Publications in Art 23. Critical Bibliography. Index. The first book in English about this major artist who ranks with Ghiberti and Donatello as..... More
Boston: Marshall Jones, 1923. Hunt, William Morris. First edition. Hardcover. 165 pp. 20 illustrations in black and white. Limited edition, copy 1080 of 1500. Hunt painted and taught in Boston, and was a vital force in the development of American art. FREITAG 4530. Extremity chipping. More