NY: Braziller, 1978. First edition. Paperback. 40 pages. Forty-color plates, and eighteen black and white figures. Bibliography. With critical commentary on each color plate by the author. Owner notation.
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London: Longman, Hurst, Rees & Orme, 1820. Third edition. Hardcover. 67 pages. 23 x 15 cm. First published Edinburgh, 1804. Engraved title page. ABBEY LIFE 91. One colored aquatint, one etching, and three uncolored aquatints. New endpapers, covers rubbed, minor foxing and soiling.
NY: Macmillan, 1950. First edition. Hardcover. 717 pp. One hundred black and white plates. Notes. Index. Owner inscription. ARNTZEN/RAINWATER M489. CHAMBERLAIN 1456. "A good survey of American Painting." LUCAS p89.
NY: Metropolitan Museum of Art, 2004. First edition. Paperback. 257 pages. 30 x 23 cm. Abundantly illustrated: black and white and color plates. Bibliography. Index.
Milano: Edizioni Philippe Daviero, 1989. Sironi, Mario. First edition. Paperback. 107 pp. Voluminouslyillustrated. Exhibition May 4-June 10 at the Phillip Daviero Gallery. Biography. Exhibitions.
London: Phaidon, 1970. First English language edition. Hardcover. 144 pages in text. 28.5 x 25. 800 artists, 1460 reproductions. An extensive guide presenting for the first time coverage of the "minor" masters with author lists in alphabetical order. Owner inscription. Interior contents and plates fresh and clean.
Leigh-on-Sea: F. Lewis, 1963. First edition. Hardcover. 56 pages in text. 29 x 22 cm. Limited edition, one of 500. Signed presentation [both authors] copy to James S. Copley with his bookplate. 76 plates, many with multiple images per plate. Bibliography. An English painter who spent the major part of...
NY: Abrams, 1961. First edition. Hardcover. 290 pp. More than 150 illustrations, many in full-color. Bibliography. Index. of Names. As Gauguin noted, "Sometimes I went back very far, further than the horses of the Parthenon.... to the wooden rocking horse of my childhood."
NY: Oxford Univ. Press, 1947. First edition. Hardcover. 54 pages in text. With 134 plates in black and white.Notes. Orig. navy linen cloth. CHAMBERLAIN 1458. "A general history of still-life painting in America written by a competent scholar." LUCAS p89.
Boston: Museum of Fine Arts, 1962. First edition. Hardcover. More than 400 illustrations. Foreword by Perry T. Rathbone. Introduction by Henry T. Rossiter. ARNTZEN/RAINWATER L79. "Contains useful information for the study of 19th century American draughtsmen and watercolorists. Both volumes contain appendixes listing known artists represented, known sitters, places represented...
Leigh-on-Sea: F. Lewis, 1952. Knight, Charles. First edition. Hardcover. 116 pages in text. 29 x 22 cm. Limited edition, copy 225 of 300. Four tipped-in color plates and 52 in black and white. List of Subscribers. English water color painter. Flint called him" a good and important influence," in carrying...
London: Sir Isaac Pitman & Sons, 1933. Hardcover. Three volumes in one, each with itsown Index and a list of illustrations in black and white. Approximately 300 pages in text total. Backstrip worn at joints and extremities with small tear at head. Orig. blue cloth. Very good.
London: Collins, 1950. First edition. Hardcover. 112 pp. Sixteen color plates andsixty-four black and white illustrations. With a Foreword by Eric Newton. Index. CHAMBERLAIN 1248. "Tries to give a chart of 20th century painting inCanada. Not an orthodox history of Canadian Art. Covers the work of 27 artists who are discussed in the text."
Wichita: Wichita State Univ. 1973. Goodnough, Robert. First edition. Hardcover. 107 pp. Twelve full-color plates, and more than fifty black and white illustrations. KARPEL J583. "The authors cope happily with a young painter with an active chronology....contains considerable documentation and bibliography."
NY: Moffat, Yard, 1907. Whistler, James McNeill. First edition. Hardcover. 302 pp. Thirty-nine black and whiteplates. With an incomplete List of Whistler's Paintings in Oil and in Water-Colour, Pastels and Drawings. A List of Whistler's Etchings. A List ofWhistler's Lithographs. Index. Extremities rubbed. Orig. thick tan boards and brown cloth...
Munich: Haus der Kunst Munchen, 1978. Chagall, Marc. First edition. Hardcover. 128 pages. 22 x 16.5 cm. 217 entries. Exhibition catalogue [5 August to 15 October 1978], with eight loose plates of Chagall art in color, image size 17 x 14 cm., and plate size: 28 x 23 cm. Catalogue rests within board portfolio.
New York: Abbeville, 1980. Hardcover. Limited edition, copy 332 of 400. A monumentally large production, 52 x 43 cm. weighing approximately forty pounds. Volume I: 173 plates; Vol. II: 179 plates, all printed on glossy stock are reproductions of photographs by Takashi Okamura. In a separate navy cloth portfolio with...
NY: Tabard Press, 1980. First edition. Cloth. 264 pages. 30 x 27 cm. 250 illustrations, forty-two in color. An important study in light of the many paintings destroyed in religious controversies. Catalogue herein completes this ground breaking study, listing almost all the significant paintings of the period under review -- the 1400's.
NY: Abrams, 1980. Braque, Georges. 1st American edition. Hardcover. 168 pp. 121 illustrations; forty-eight tipped-in color plates. Bibliography. Index. Critical commentary on each plate. FREITAG 1027.
London: Harvill Press, 1962. Spencer, Stanley. First edition. Hardcover. 255 pp. Illustrated in black and white. Index. A standard work on Spencer. FREITAG 9093.
NY: Phaidon, 1970. First edition. Hardcover. 318 pages. 347 illustrations, more than one third in full-color. Bibliography. Artists and Their Dates. Check List. Index. Cubism in the Cooper's view, aimed to bring reality back to art.
NY: Abrams, 1966. Toulouse-Lautrec, Henri de. Hardcover. 152 pp. 4to, fifty tipped-in colorplates. Bibliography. FREITAG 9540. LUCAS p197.
London: S. and J. Fuller, 1814. First edition. Hardcover. 32 pages in text. 28.5 x 46 cm. Second issue, 24 soft ground etchings, 16 uncolored aquatints, and sixteen hand colored aquatints, and sixteen hand colored etchings on gray backgrounds. Some pale foxing to the soft ground etchings, rubbing to backstrip...
NY: Reinhold, 1956. First edition. Hardcover. 228 pp. Preface by Le Corbusier. Voluminously illustrated in black and white and with color plates. Index. Le Corbusier notes, "Neither architecture nor urbanismhave as yet manifested themselves in terms of decisive and universally accepted realities." (Unlike painting and sculpture). Le Corbusier admires Damaz'sattempt...
NY: Newsweek, 1998. First edition. Hardcover. 171 pages. 30 x 24 cm. Profusely illustrated in color. Bibliographic References.